D.I (Dissociative Identity)
XR Installation Series, 2022 - 2024Dissociative Identity (D.I) is an ongoing XR installation series that explores the lived experience of dissociative identity (DI). This multi-part body of work invites audiences into immersive, multilayered environments where multiple autonomous selves coexist—each with distinct voices, movements, and emotional textures.
The series does not merely represent dissociation; it emerges from it. Rather than portraying psychological states from the outside, D.I is constructed from within—intimate, raw, and unresolved. Drawing on autobiographical memory and trauma, the works ask viewers not only to observe, but to step inside the layered architecture of a mind inhabited by multiple selves.
The use of XR (Extended Reality) is central to the conceptual and spatial logic of the series. Dissociative experiences are intensely real for those who live them, yet they often leave no tangible trace. XR allows these internal realities to become visible, sensorial, and spatially immersive—rendering the invisible felt. The installations are reinterpreted and rebuilt for each physical location, integrating the surrounding architecture into the work. Viewers are not just observers but participants whose presence reshapes the experience.
Within this XR framework, mirrors—both physical and virtual—function as a recurring motif across the series. They are not decorative elements, but conceptual devices that destabilize perception. Physical mirrors reflect the audience’s real body; virtual mirrors reveal internal characters and fragmented selves. In many installations, the layering of these reflections blurs the boundary between reality and illusion, challenging the viewer’s sense of identity and presence within the space.
The series comprises four major works:
D.I II (2024)
In the Head (2024)
D.I I (2024)
Characters (2023)
The Way of Being
Single-channel videos, publication intervention, digital print, 2022 - 2023This project explores the mechanisms through which socially imposed gender roles are internalized from early childhood—especially through media considered educational or essential. Drawing from personal memories and experiences, The way of BEING traces how heteronormative and binary narratives are repeatedly reinforced through books and stories presented as moral, cultural, or biological truths.
The series critically dissects these materials, exposing their harmful assumptions and proposing alternatives that actively resist their structure. It is not only a critique, but also an act of survival: reclaiming the agency to rewrite one's own story.
Erasing Folk Tales (2023)
? Come from Mars, ? Come from Venus (2022)
Moving Drawing
Video works with 2D/3D animation, AR integration, 2021 - 2022
Moving Drawing is a solo project that visualizes sound not as a fixed auditory image but as a dynamic interplay of animated lines. Each video in the series transforms musical compositions into moving drawings, with each drawn element corresponding to a specific instrument or sonic layer. Just as individual melodies combine into a cohesive piece of music, these drawings accumulate and animate into a unified visual rhythm.
This series explores how visual and auditory perception can merge—translating music into movement, and movement into structure.
Moving Drawing II_3D (2022)
Moving Drawing I (2021)